This has been around for years for live applications, but is more common now because of products like the Fryette Power Station, BadCat Unleash, etc. But in terms of re-amping in a live situation, it is. In the studio it's not usually done in real time. I'm not sure about Dr Z as they don't make such a device). They just happen to be different processes (Fryette does call the PS a re-amper. Either way you're re-amplifying something so the terminology is correct. Radial now owns the trademark & patent:Ĭlick to expand.You can re-amp a guitar signal or an amplifier signal, in real time or pre-recorded. I remember when the early Reamp boxes started showing up in the 90's. John Cuniberti trademarked the word reamp, The interview explains why he came to this conclusion. I just have never heard of re-amping being used in this context. The player is re-amping the signal of another amp's output. Z refers to the process of taking a load from an amp to reduce its eventual volume at the point of an amplifier, then so be it. What you are speaking of is closer to an attenuation of a guitar signal. Until this thread, I have never heard of guitar players using this lingo unless they were speaking about taking a prerecorded track and sending it to a speaker to be "re-amped" for some sort of sonic treatment. The first time I ever heard of re-amping is for recording studio applications. I have been playing guitar for over four decades. IME reamping is a recording studio concept. I even still have a special box that will take 3 balanced level outputs and take them down to the high impedance level for guitar effects & amps. I would create an spatial effects for drums by exciting the natural reverb of a room by reamping parts of a drum kit. It often sounded far better than some Lexicon verb or a plug in. I would take vocal track and run it through an Echoplex then to a crappy guitar amp. I used to do this all of the time when I used to engineer. This requires the level to be brought down to -10 for the amp. Or an engineer takes a prerecorded track and rout a balanced +4 level into a speaker in an iso room or main recording space for some effect. Here's how it works (relative to the "re-amping" you're describing): This allows you to capture the performance without committing to an amp.Īpologies for the posts above trying to nit pick about terminology. This is for capturing the direct sound of your guitar so it can then be played (back by the recording workstation) into an amp and re-recorded. The other type of "re-amping" people are mentioning is a recording method. The Fryette Power Station, Boss Waza Tube amp expander, and BadCat Unleash are examples of this. There are also units that perform both the load box and power amp functions in one device. This can be anything from a little Electroharmonix 5mm, to a rack mounted power amp, to another tube amp (go into the line in jack). The Suhr Reactive load is a good load box to do this with.
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